5:24 PM a savstate.view.usg.edu T-Mobile Wi-Fi The between, around, above, below
ID: 295520 • Letter: 5
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5:24 PM a savstate.view.usg.edu T-Mobile Wi-Fi The between, around, above, below, or contained within objects is usually negative. Question 23 (1 poine textures in an artwork can be Question 24 (1 point In art the size relationship between an object and the human body is significant. In experiencing the to compare its size to the size of our own bodies, while of an artwork we tend refers to the relative size of parts of a whole (elements within an object). Question 25 (1 point Yellow and Green are colors Question 26 (1 poi) A line is to another, but the connection is visually suggested when no continuous marks connect one point Question 27 (1 poin Describe the technique impasto and give an example of an artwork and artist who used it. Question 28 (1 poit a system that allows the picture plan to function as a convincing window into its subject is called Question 29 (1 poi What refers to the balance of light and shade in a work, most often exhibited when the artist transitions from light to dark around a curved surface, called modeling? Question 30(1 poit What is the difference between additive color mixing and subtractive color mixing?Explanation / Answer
22. Negative Space or ground
* An element of art that refers to the emptiness or area between, around, above, below or within objects. Empty space them are called Negative Space or ground.
23. Tactile, Visual
* Tactile means able to be drawn out into a thin wire.
24. Scale, proportion.
27. Impasto is a technique used in painting, where paint is laid on an area of the surface in very thick layers, usually thick enough that the brush or painting knife strokes are visible. Example of Impasto painting - Starry Night. Artist - Van gogh.
29. Chiaroscuro
* The use of Chiaroscuro to represent light falling across a curved or rough surface. Chiaroscuro refers to the balance of light and shade in a picture, especially its skillful use by the artist in representing the gradual transition around a curved surface.
30. Red, green and blue are our primary colors for additive mixing while Cyan, yellow and magenta are our primary colors for subtractive mixing.
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