1. According to Bryson, what is “boundary work” and who does it? 2. For American
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Question
1. According to Bryson, what is “boundary work” and who does it?
2. For Americans in general, the most liked genres of music are ____ and the most disliked genres are ____.
3. According to Bryson, which of the following best describes the musical tastes of highly educated, upper middle class Americans?
4. According to Bryson, what characteristic is shared by those people who listen to the genres of music that are least tolerated by the "tolerant" people in her study?
5. Based on Bryson’s findings and what you have learned about social stratification, how might boundary work affect inequality?
it is the drawing of congressional districts; legislators do itExplanation / Answer
1. C. . it is the establishment of boundaries against those we dislike; we all do it
This is because in her study, Bryson found that musical dislike is related to taste and racism and people use differences in musical taste to reinforce their symbolic boundaries from other groups who may they dislike.
2. oldies and country; heavy metal and rap
The latter genres of music are associated with deviants grouos and the lower classes and they have therefore invite s the scorn of socially intolerant and higher classes who assert their exclusionism through choice in music.
3. B. they dislike far fewer musical genres than people from lower classes
Bryson found that broad familiarity with the different genres of music is positively correlated with education
4. A. they have below average levels of education
Political tolerance was found to be associated with musical tolerance and racism is a strong factor in making people dislike a particular genre whose major fans are from the non-White communities
5. B. boundary work reproduces inequality, because "gatekeepers" tend to exclude those whose tastes or dispositions differ from their own
In her study, Bryson found that even the most tolerant participants tended to reject genres such as heavy metal, gospel music, rap, country whose fans represent the least educated section of society. In rejecting their music, the educationally elite groups therefore tried to mark their degree of social distance or boundary from them.
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